With “Asylum of Artifacts,” I delve into the secret lives of forsaken objects using infrared photography.
This technique exposes the latent glow of items cast aside, revealing a haunting beauty that escapes the naked eye. Each artifact becomes a character, and together they form a kind of silent society — a spectral still life where every object is in quiet dialogue with the others.
Their placement, their wear, their shape — each suggests relationships, hierarchies, maybe even shared histories.
These images aren’t just about the forgotten; they’re about what lingers between them.